Beverly Gray Formats

This is an overview of the different formats of the Beverly Gray Mystery Stories.  Since the dust jackets were never changed except for the incidental advertisements, this page does not discuss the dust jackets.

As with other series books, the best way to determine how old a Beverly Gray book is to find a list of titles that does not appear on the copyright page.  For instance, if the dust jacket is present, find the last title listed on the front flap of the dust jacket.  The year of publication for the last title listed will reveal the year that the Beverly Gray book was printed.  This rule also applies for any internal list that does not appear on the copyright page.  Never use the copyright page of any series book as the publishers seldom made changes to the copyright page.

Suppose a Beverly Gray book has a dust jacket that lists to Beverly Gray's Mystery.  This means that the book was printed either during 1948, the year that Beverly Gray's Mystery was originally published, or possibly during early 1949.

1934-1937






Beverly Gray #1-8 were published by A. L. Burt from 1934 through 1937.  The A. L. Burt books are gray hardcover editions with either light blue or medium blue endpapers, good quality paper, and a glossy frontispiece illustration.  The books are approximately 8 1/4 inches tall and 1 1/2 inches thick.

In 1937, A. L. Burt was sold to Blue Ribbon Books, Inc.  After the company was sold to Blue Ribbon Books, the books and jackets were printed with "Burt" on the spine instead of "A. L. Burt."  Blue Ribbon Books, Inc. is listed in addition to Burt on the dust jacket flaps, title pages, and copyright pages of these books.

Some of the Blue Ribbon Burt books have a red or pink binding instead of the usual gray binding.  Other colors may also exist.  The book pictured at the bottom left is faded on the front cover and spine.  The back cover is slightly darker pink than the front cover and spine.  The endpapers of the Blue Ribbon books are either dark blue or very light blue.

Due to the brevity of time that A. L. Burt published the Beverly Gray books, the Burt editions are quite scarce.

At the left, book style for #1-8 printed from 1934 through 1937.  At the right, endpapers style for #1-8 printed from 1934 through 1937.







1938-1941






Above, book style for #1-11 printed from 1938 to 1941.

In 1938, Blue Ribbon Books sold the rights to the Beverly Gray series to Grosset and Dunlap.  Grosset and Dunlap dropped volume 6 and renumbered volumes 7 and 8 as volumes 6 and 7.  The unsold Burt books became the property of Grosset and Dunlap as part of the deal, so Grosset and Dunlap sized its early dust jackets at 8 1/4 inches tall to fit on the Burt books.

When Grosset and Dunlap printed the first new book in the series, Beverly Gray on a Treasure Hunt, the dust jacket was sized at 8 1/4 inches tall, like the Burt books, while the book was sized at 8 1/8 inches tall.  The next Grosset and Dunlap book, Beverly Gray's Return, was printed with a dust jacket and book the same size at 8 1/8 inches tall.

The Beverly Gray books printed in 1938 are approximately 8 1/8 inches tall and 1 1/3 inches thick.  The 1941 books are 8 inches tall.

All of the books printed from 1938-1941 have good quality paper.  #1-10 each have a glossy frontispiece illustration.  #11 has a plain paper frontispiece illustration.

The 1938 and 1939 books have dark blue endpapers while the 1940 and 1941 books have light blue endpapers.

The tall, thick Grosset and Dunlap editions are more scarce than the later Grosset and Dunlap editions.





Above, endpapers style for #1-11 printed from 1938 to 1941.

1942-1946




Beverly Gray #1-16 printed from 1942 through 1946 are
7 3/4 inches tall.  The 1942 books are slightly less than 1 1/4 inches thick.  The 1946 books are about one inch thick. 

The books printed from 1942 through 1946 have poor quality paper, and most of the books have a wartime conditions notice.  Due to the wartime rationing, these books were made from inferior materials and have not held up well over time.

The color of binding rapidly transitioned during this time from light green to medium green to dark green and later to medium blue and dark blue.  The various green binding books are probably all from 1942 through around 1944 or 1945.  The blue binding books were printed later than the green books and so are from 1945 or 1946.  Some of the books were printed with either a red or maroon binding, and these books are probably from 1946.

#1-10 printed in 1942 have a glossy frontispiece illustration.  #11-16 and later printings of #1-10 have a plain paper frontispiece illustration.  Some print runs have no frontispiece illustration.

Most of the books have the blue endpapers with the college scene, and the shade of blue varies slightly depending upon the print run.  Some of the books have plain, undecorated endpapers.  The blue endpapers from this time period reproduce the college scene very poorly so that very little can be discerned in the drawing.

At the left and upper right, book style for #1-16 printed from 1942 through 1946.

At the lower right, endpapers style for #1-16 printed from 1942 through 1946.







1947-1951


#1-21 printed from 1947 through 1951 have solid blue covers with a cameo of Beverly in the center of the front cover.  The endpapers are blue with a cameo of Beverly on each page.

The 1947 and 1948 books have poor quality paper.  The 1949, 1950, and 1951 books have good quality paper.  All of the books have plain paper frontispiece illustrations.

At the left, book style for #1-21 printed from 1947 through 1951.

At the right, endpapers style for #1-21 printed from 1947 through 1951.

1952-1954


Beverly Gray #1-24 printed from 1952 through 1954 have a blue tweed binding.  The shade of blue varies slightly depending upon the print run.  The books have a cameo of Beverly in the center of the front cover.  The endpapers are blue with a cameo of Beverly on each page.

All of these books have good quality paper.

At the left, book style for #1-24 printed from 1952 through 1954.

At the right, endpapers style for #1-24 printed from 1952 through 1954.

1955


In 1955, the Beverly Gray #16-25 were published under the imprint of Clover Books by McLoughlin, a division of Grosset and Dunlap.  The final volume in the series, Beverly Gray's Surprise, is only available in the Clover Books edition.

The outside of each book is covered in cellophane which is very prone to peeling.  The books have pulp paper that has yellowed.  The endpapers are either plain paper or pink.

The spines of the Clover Books have several different designs.  There are two versions of the Beverly Gray cameo, and some of the books have a solid band of black on the upper spine.

At the left and upper right, book style for #16-25 printed by McLoughlin in 1955.  At the lower right, endpapers style for #16-25 printed by McLoughlin in 1955.




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